rating: 4/5
Punchline: it's a classic!
Genre: Romance
Type: Straight
Banner: Indira Productions
Cast: Naga Chaitanya, Samantha, Krishnudu, Sanjay Swaroop, Surekha Vani
Music: AR Rahman
Cinematography: Manoj Paramahamsa
Editing: Anthony
Lyrics: Anant Sreeram
Dialogues: Anuradha
Story - screenplay - director: Gowtam Vasudev Menon
Producer: Sanjay Swaroop
Release date: 26 February 2010
Theater watched: Prasads multiplex (screen 2), Hyderabad
Story
Karthik (Naga Chaitanya) is an engineering graduate who wants to pursue his career as a film director. Samantha is his neighbour and he falls in love with her at the very first sight. But there are two catches. One is that she is elder to him and the bigger hitch is that she is a Malayali Christian. He proposes to her and she slowly falls for his guts and his perseverance. Her strict father comes to know about it and settles her marriage. She loves him, but can’t hurt her entire family by marrying him. The rest of the story is all about how Karthik achieves his passion to become a film director and tastes success at the personal front.
Artists Performance
Naga Chaitanya: Naga Chaitanya is extremely natural in the role of Karthik. It is basically a conversational film with too many tight close-ups. It takes real confidence and acting prowess to do such scenes in an authoritative manner. Naga Chaitanya proves that he is a brilliant actor with his performance in this movie. His dialogue delivery and body language is highly authentic. You are not going to believe that this is his second film after watching his performance. It’s a top notch effort from him and he will do wonders in the future.
Samantha: Samantha’s debut is one of the best heroine debuts in Telugu cinema. This dusky beauty is highly charming and she is cool in acting as well. The minute expressions she gave spoke volumes about her. Lots of credit should go to director for etching her beautiful characterization. I absolutely loved the voice of the artist who dubbed her. She is the same one who dubbed the voice of Sameera Reddy in ‘Surya s/o Krishnan’. It’s husky and contemporary.
Others: Krishnudu is very good as hero’s friend. Sanjay Swaroop (producer and husband of Manjula) did the role of hero’s father and he suited it well. Puri Jagan played as himself for a few scenes. Trisha and Simbhu (who acted in the Tamil version of the same) did a cameo. All other actors are cast appropriately. Surekha Vani is very good.
Technical departments
Story: Men are simple and women are complex. When it comes to love, man proposes to a woman with plain heart and with no complications. Women, on the other hand make simple things complicated with their complex behaviour. Gowtam Menon has beautifully explored that point and penned a wonderful story of a simple guy who would do anything for love and a complex girl who keeps vacillating about taking decisions.
screenplay - direction: Screenplay of the movie is very good. The movie could end at any point after interval. It needs tremendous narrative skills and screenplay to make people get interested in the second half because the movie can end at the moment hero/heroine converge upon on marriage. I loved the love episodes between Surya and Sameera Reddy (train scene) in Surya s/o of Krishnan and wondered when he is going to make such a story into a full-leangth feature film and Gowtam Menon answered my wish with his next movie by filling it full of magical moments and sweet nothings. It’s a astonishing work by Gowtam Menon. You can’t separate a moment from the movie to be the best. This movie is like a seamless flow of visual poetry.
Other departments: Music by AR Rehman is awesome. Songs are extremely good and background score, rerecording and mixing is perfectly done. All songs are picturized extremely well. Cinematography by Manoj Paramahamsa breath-taking. The choice of locations and camera work blended seamlessly. Dialogues by Anuradha are extremely natural and contemporary. Art direction by Rajeevan is superb. Editing my Anthony is flawless. Production values by Indira Productions are impeccable.
Analysis: I had never seen such a wonderful movie that deals with the straightforward nature of a man and complex nature of a woman so perfectly. Everybody must have gone through these moments in their lives and you are sure to get nostalgic watching some moments in this movie. The entire movie is excellent and extremely engaging except for 10 minutes (in second half from the breakup to the scene where other female proposes him). It takes guts and tremendous conviction makes a movie like Ye Maya Chesave from the director, producer and hero (It was Naga Chaitanya who set this combination up). All three of them should be appreciated for making this movie happen. Ye Maya Chesave movie should do extremely well in multiplexes and A centers. I wish/hope/want this movie to do well in B/C centers as well. This film has all the ingredients for a movie to remain as a timeless classic. Go and watch it!!
Telugu Movie review - Brindavanam | |||
Brindavanam | Brindavanam Links | ||
Credits | |||
Jeevi rating: 3.25/5 Cast: NTR, Kajal Agarwal, Samantha, Prakash Raj, Srihari, Kota Sreenivasa Rao, Brahmanandam, Venu Madhav, Ajay, Tanikella Bharani, Praneet Reddy, Raghu Babu, Ahuti Prasad, Fish Venkat, Surekhavani, Pratima, Hema etc Music: S Thaman Review Story Artists Performance NTR: NTR who is known as huge mass hero came out of his image to do a character that doesn’t have his usual roughness to it. He is very good as a lover boy and a lovable son. He has also made sure that there are ample fights and a few mass dialogues for his fan-base to enjoy. NTR should be appreciated for doing the pre-climax scene. He again proves to be one of the best dancers in the industry. Others: Kajal Agarwal is nice. Samantha who played prim, proper and individualistic Jessie in YMC played a glamorous role in this film by wearing western outfits. She is cool. Prakash Raj does his usual father role with panache. Srihari is very good in an important role. Brahmanandam is hilarious as dupe father of NTR. Ajay looks dashing as villain, Tanikella Bharani and Kota Sreenivasa Rao are excellent. Venu madhav, Mukesh Rushi, Raghu Babu & Ahuti Prasad are adequate. Technical departments Story screenplay - direction: The story of the movie resembles a few similar themed films like Bavagaru Bagunnara and Allugugaru Vacharu. There also traces of Bommarillu in Prakash Raj’s characterization. Vamsi Paidipalli has proved his calibre as a director who knows how to make stylish, action films with his debut Munna. The action sequences in this movie are also well conceived. Vamsi has also did well in entertainment department in the second half of brindavanam. However, he couldn’t get it right when it comes to emotional/sentiment scenes. He tried using typical Karan Johar kind of sentiment where each and every character in the movie has moisturized eyes either due to happiness or sadness. The senti/emotional scenes are artificial in the movie. But the screenplay is properly formatted to cater to all sections of audiences. Other departments: Music by Thaman is good on screen when combined with the visuals. Background music is nice. Dialogues by Koratala Siva are neat. Cinematography by Chota K Naidu is excellent. I liked the way he has shown the vehicles with a clear sky behind. Editing is smooth. Art direction by Anand Sai is good. Ram - Laxman’s fights are enjoyable. Production values by Dil Raju are good very good. Analysis: First half of the movie is adequate. Major part of the second half is entertaining. Climax of the movie is debatable. The plus points are NTR and entertainment in second half (from interval to the 5th song of the movie). On the flip side, the story of the movie gives us deja vu feeling in many aspects and the emotional part should have been natural (instead of appearing forced). Brindavanam is a decent and clean movie with enough ingredients to make it work at box office. It is up to NTR to get a range for the movie. |